Capture gorgeous, super-sampled images with better contrast, exceptional colour reproduction and increased clarity on the Sony PMW-F5 camera.
The Sony PMW-F5 offers robust built-in recording modes, all with vibrant 4:2:2 colour. Further options include the wonderful precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.
The various recording formats available include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. The Sony F5 has simultaneous recording on to internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to both the F55 and F5 cameras. High speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5 is also available for the PMW-F5 camera.
Sony PMW-F5 - A lightweight modular design.
Small and compact the Sony PMW-F5 allows you to configure the right set-up for each project – or individual shot with it’s modular design. A range of formats, both internal and external recording options and accessories are available on the F5 camera.
A range of viewfinders are available, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis on the Sony PMW-F5 Camera is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting with the Sony F5.
CBK-55BK: Greater flexibility of shooting style for documentaries, sports and news
The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders.
Good weight balance
The CK55BK shoulder mount pack has an ergonomic design usable with any lenses and featuring an adjustable shoulder pad and front block control.
DWX Digital Wireless Audio Slot-in
The Sony CBK-55BK provides a slot-in option for the DWX Series DWR-S02D 2 channel digital wireless receiver.
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Super 35mm equivalent 4K single-chip CMOS sensor
Sony’s 4K image sensor enables a single camera to provide gorgeous, super-sampled HD and 2K while preparing you for the 4K future. With 11.6 megapixels (total) and 8.9 megapixels (effective), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image.
16-bit RAW 2K/4K recording options with bolt-on AXS-R5 recorder
Capture RAW at your choice of resolutions: the camera’s native 4K or beautiful, derived 2K. RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate. Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony’s 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow.
AXS-R5 records onto ASXM™ memory cards
The bolt-on AXS-R5 recorder records onto high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings.
Choice of HD/2K internal recording formats
The F5 CineAlta camera allows you a choice of internal recording formats in addition to 16-bit RAW 2K/4K recording output onto the AXS-R5. The camera incorporates high-speed SxS PRO+ memory card recording that allows the choice of: 8-bit MPEG-2 HD422, 50Mbps; 10-bit XAVC 2K/HD 100Mbps; and SR Codec 10-bit MPEG4 SStP 220, 440 and 880Mbps. All formats can be recorded at a range of interlace and progressive frame rates (see camera specifications for precise details).
High speed shooting up to 120 fps 2K internally and 120 fps 2K RAW with optional AXS-R5 recorder
The F5 features high-data-rate on-board XAVC HD recordings up to 60 fps with a free planned upgrade to XAVC 2K/HD recording at 120 fps. It also offers 120 fps 2K RAW with the optional AXS-R5 outboard recorder and a planned upgrade, achieving the high frame rates, while retaining exceptional, 16-bit image quality.
Next generation high-speed SxS PRO+ memory cardsThe PMW-F5 records internally onto SxS memory. High-speed shooting and the highest quality recording options require next-generation SxS recording media – Sony’s 64 GB* SxS PRO+ memory card – which can be read by the next-generation USB card reader, the SBAC-US20.
* 1 GB equals one billion bytes, a portion of which is used for data management functions.
Simultaneous RAW and onboard camera SxS recording
Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording to internal SxS cards and the optional AXS-R5 RAW recorder. For seamless conforming in post, you get matching time code, start frame, stop frame, file names and other metadata. The camera supports the following RAW + Onboard combinations: RAW 4K/2K + XAVC 2K/HD and RAW 4K/2K + MPEG-2 HD422.
Sony understands a fundamental truth: working cameras require practical workflows. That’s why the F5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools.
Vast exposure latitude to 14 f-stops
The ability to render tones from deepest shadows to brightest highlights is a crucial test of any digital camera. The F5 excels, with an impressive 14 stops of exposure latitude, extraordinary low-light sensitivity and extremely low noise in the blacks.
Choice of viewfinders includes amazing OLED technology
A digital interface on the PMW-F5 allows for a variety of optional viewfinders, including the DVF-EL100.This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition, plus superb OLED brightness, contrast and response. The DVF-L350 3.5-inch LCD viewfinder has higher resolution (960 x 540) than previous Sony viewfinders, plus ten times the contrast. And the eyepiece flips up for direct monitoring. The DVF-L700 compact 7-inch* LCD view finder enables high resolution when shooting in 2K and 4K, not to mention pixel-for-pixel 1920 x 1080 representation of your HD images.
Optional shoulder rig
The optional Sony shoulder rig provides comfortable handheld operation, hour after hour. The rig is sturdy, lightweight and features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories.
Small lightweight design for added versatility in 3D
The small size of the PMW-F5 is particularly welcome in stereoscopic 3D shooting. The chassis is only slightly wider than a typical PL mount prime lens, perfect for both mirror rigs and side-by-side configurations.
Incredible flexibility with the choice of PL-mount, FZ-mount and still lenses
The F5 is designed to accommodate PL-mount, FZ-mount and still lenses. With the PL-mount adaptor, you can take advantage of acclaimed cine optics from Angénieux®, Canon®, Carl Zeiss®, Cooke®, FUJIFILM®, Leica® and more. Slip off the supplied PL-mount adaptor to reveal the native FZ mount with 18 mm flange focal distance. It’s perfect for accepting commercially available adaptors for still lenses, including Canon® EF, Canon FD, Nikon® DX, Nikon G, Leica® M and even 2/3-inch broadcast B4 lenses. There’s also Sony’s game-changing FZ-mount auto focus servo zoom: the SCL-Z18X140.
The PMW-F5 works with Sony’s second generation, cost-effective PL mount prime lenses. Thanks to refined glass, all are certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs. The focus rings rotate 240°. The series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, all have the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same size except for the 135 mm.
Intuitive one-touch interface
Carefully designed with significant input from cinematographers, the PMW-F5 provides an incredibly rich range of controls. And the interface is nicely intuitive. Instead of diving through menus, you get direct, one-touch access to key shooting parameters including frame rate, shutter speed, colour temperature, ISO sensitivity and gamma. Assignable buttons mean that favourite adjustments are always at your fingertips.
Wide choice of connections
The camera offers numerous connections to suit your workflow, including four HD-SDI jacks, HDMI®, USB, DC in connection, a removable XLR audio module and a removable time code/genlock module. The XLR inputs accept balanced analogue signals, provide 48-Volt phantom power and will accept four channels of AES/EBU digital audio with an expected firmware upgrade.
Long-life Olivine battery and quick charger
The F5 takes advantage of Sony’s innovative BP-FL75 battery pack, which uses Olivine – Lithium Iron Phosphate – instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles, compared to previous Sony batteries. The Olivine battery works with Sony’s BC-L90 quick charger. The camera is also compatible with Sony’s BP-GL95A, GL65A, L80S and L60S batteries, which use the BC-L70 and L160 chargers.
Adjustable blocks allow balance of weight
Shoulder pad has 33m adjustable range. Front block with all control buttons has 37mm adjustable range.
The build-up kit supports the AXS-R5 for 2K/4K 16bit RAW recording up to 240 fps in 2K.
Battery adaptor includes DC input, Hirose 1.8A DC output and D-TAP 4.17A (50W) DC output*.
* D-TAP DC output not available when using AXS-R5.
Easy to attach/detach
With the build-up kit in place the PMW-F55/F5 can be used as a full shoulder camera or in the
original style, giving you more flexibility in your style of filming.
Support of wireless audio receiver
The build-up kit includes an audio section and input/output
section at the rear side, offering support for wireless audio, with a
familiar design common to main broadcast camcorders.
Using standard PL lenses or common B4 2/3-inch broadcast lenses
with the LA-FZB1 or LA-FZB2* will suit a wide variety of applications.
* When using the LA-FZB2, the original handle supplied with the camera needs to be used.
Supplied top handle
The new improved top handle comes with a microphone holder and
viewfinder cable protection. It also provides cover for the fan input on
the top of the body to protect against rain or dust. The handle is also
able to attach the CBK-WA100 wireless adaptor without needing a USB
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