Shoot what you see.
Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality. The solution is the Shogun Flame, a 7" 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony & Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock & bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
Scenes Ignite with 1500nits of Light
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.
Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.
SIMPLE OS, SOPHISTICATED SHOTS
The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.
Continuous power is back... with super fast charging.
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.
Monitor & Record XLR Audio
The Shogun Flame has professional audio to match professional video. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Audio control is simple with dedicated meters and menus to select channels for recording/ monitoring and adjustments for frame delay and gain.
Advanced Recording Capability
Outside of 10-bit 4:2:2 ProRes/DNxHR, the Shogun Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.
For the field
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.
AtomHDR = More detail;
AtomHDR delivers 10 stops of dynamic range
(brightness range) to match 10-bit camera LOG footage, revealing detail
in highlights & shadows usually clipped on traditional (REC709) monitors.
Supported LOG cameras include: Sony, Canon, Panasonic, ARRI, RED & JVC.
High Bright 7” Calibrated Monitor;
The world’s most advanced 7” field monitor,
with 1500nits brightness for outdoor shooting, native Full HD resolution &
calibration to ensure natural LCD color drift can be corrected over time - shoot
what you see guaranteed.
Upgraded 10–bit processing to resolve 1.07 billion colors
compared to the 16.7 million colors of traditional 8–bit panels to all but eliminate
10-bit post production;
Monitor post production content in 10-bit HDR for any
NLE or color correction suite.
With both HDMI and SDI in/out you have the maximum flexibility in
choice of camera including Raw SDI cameras like the Sony FS700/FS7 and
Canon C500/C300MKII. With bi-directional conversion allowing you to add any
camera to your HDMI or SDI workflow.
4K & Raw Recording;
Record direct from the sensor at 4K UHD (up to 30p)
or HD (50/60/120p) at higher resolution 10-bit color with precise yet efficient
4:2:2 color encoding. Even record Raw to ProRes/DNx for select Sony & Canon
Improved Video Quality;
10-bit color resolution, 4:2:2 color accuracy and
visually lossless ProRes/DNxHR compression.
Our patent pending hot swappable dual battery system for
continuous power is backed up with the included power accessories including 2
x 4-cell batteries, D-Tap to DC cable and a blazingly fast battery charger.
Weight:650g / 22.9oz
Without batteries & media
With batteries & media 1094g / 38.6oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Operating power (including SSD)10 - 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) -
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 - 16.8V)
* Patent pending "Primary-secondary battery system Change batteries without losing power Loop batteries continuously
Resolution 1920 x 1200
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
In = Post Out = Monitor" Yes / Yes
Video input/loop out
HDMI 1 x HDMI (1.4b)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Video output (play out)
HDMI 1 x HDMI (1.4b)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Supported loop out formats
HDMI to HDMI "720p 50/60, 1080i 50/60,
SDI to SDI "720p 50/60, 1080i 50/60
Video signal conversion
HDMI to SDI 720p 50/60, 1080i 50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)*
Cinema DNG for supported cameras (Sony FS5/FS7/ FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)
4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p"
Raw to ProRes / DNxHR
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI / 4K UHD; 24/25/30
2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120"
Video to ProRes / DNxHR
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
4K UHD; 24/25/30
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out Dynamic range >90dB
Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Genlock/LTC Yes / Yes
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media (Approved List Only) 4K / HD (50/60/120p)
HDD (7,200 up to 1080p60)
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+
/ Media Compos- er 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+
/ Lightworks / Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
Accessories included Shogun Flame unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750 5200mAh batteries, Fast battery charger,
SATA 3/2 to USB 3/2 HDD/SSD docking station,
DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood
Optional extras Atomos HDMI cable, X-Rite calibration
Shogun Flame unit
Custom Yellow HPRC hard fight case Control cable (2.5mm Female to 2 x 2.5mm Male)
XLR breakout cable
2 x NP-F750 4-cell batteries
Fast battery charger
USB3 docking station
Coiled D-Tap to DC power cable 5 x Master Caddy cases
2 x 12V 3A AC-DC power adapter Snap-fast sun hood
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